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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク World War I film propaganda ： ウィキペディア英語版 World War I film propaganda Nations were new to cinema and its capability to spread and influence mass sentiment at the start of World War I. The early years of the war were experimental in regard to using films as a propaganda tool, but eventually became a central instrument for what George Mosse has called the "nationalization of the masses" as nations learned to manipulate emotions to mobilize the people for a national cause against the imagined or real enemy.〔(【引用サイトリンク】author= Stern, Frank )〕 ==Britain== British efforts in pro-war film production took some time to find their stride as it, unlike Germany, did not realize the potential of film as a means of projecting the nation’s official point of view. The British recognized early in the war that they needed to target neutral audiences, specifically America, to either get them to join the war or further support the war effort in Britain. One of the leading figures in bringing British war films to the U.S. was Charles Urban, the best known film producer in England at the time. He first brought ''Britain Prepared'' to the States in early 1916 and ''The Battle of the Somme'' in August 1916, both of whose rights were sold to the Patriot Film Corporation. Neither achieved the success the British sought, in part because of Urban’s and Wellington House’s refusal to address Urban’s German ancestry or that the films were produced by the British government with the intention of winning over American audiences. This stance changed in November 1916, when the British created the War Office Cinematograph Committee (WOCC), under which the film’s official intent was to be known. It was absorbed by the Department of Information (DOI) early in 1917. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「World War I film propaganda」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.